The Drunk Perspective

Dipannita Mukherjee is a contemporary artist whose practice bridges the gap between modernism and folk inspiration to explore the “invisible architectures” of emotional memory and belonging. Moving into abstraction to find a more honest visual language, she utilizes an intuitive process of layering, concealment, and erasure where forms emerge as fragile traces rather than fixed entities. Her work frequently centers on structures resembling homes or thresholds—psychological spaces designed to hold intimacy and change while preserving imperfection as evidence of lived experience. Beyond her personal studio practice, Mukherjee is a dedicated advocate for artists working outside formal systems, viewing abstraction as a transformative, shared human language. Ultimately, her art serves as an ongoing attempt to make the unspoken visible, creating a resonant space where both the artist and viewer can encounter themselves anew.